The DJ section provides convincing turntable‑style effects.In the centre of the plug‑in are more DJ‑friendly controls. Just put your track into an automation write mode, press A to display your curves, and mouse away. What if I want to use all of the effects at the same time? Well, you could just open several instances of the plug‑in on a Track (Remix FX is admirably light on the CPU), but as all the parameters are also automatable, you can capture your ‘performance’ for further editing. I only have two Grids on screen and a single mouse.
#AUDIOSWIFT VST GENERATOR#
Orbit turns out to be a phaser, flanger or both together, with Depth and Rate controls, while the Repeater is a ‘stutter’ generator with Mix and Rate controls that also features the same Time parameters as the Wobbler. Reverb features Time and Mix parameters and you can choose from three ‘colours’ of ambience. The adjustable parameters for the Delay are Rate and Feedback, with the same Time options as for Wobble. I had a lot of fun with this and the Delay together, emulating the kinds of synthesizer sounds that Tim Blake of Gong used to make - but with Remix FX you’re not limited to oscillators as your source, as you can process anything from a single track to a complete mix. The Wobble effects runs the audio through a ‘vintage’ filter too, but it’s the modulation rate and depth that the two axes control, creating an auto‑wah‑type effect, while the Time buttons set the Grid (note division, note division with an added triplet, or a triplet of the note division). I’ve used this a lot to add interest to plug‑in synthesizers and drum loops - I mean, who doesn’t love a filter sweep? Both sound really nice, and you can adjust both Resonance and Cutoff controls at the same time. Classic is a state‑variable filter with a slope of 12dB/octave, and the warmer Phat offers 24dB/octave low‑pass and high‑pass filtering. Remix FX offers a choice of six different real‑time processors.It’s probably a good idea at this point to click on the faders button in the centre of the plug‑in to reveal the extra parameters for each effect. If you click on the name of the effect at the top of each Grid, you’ll see the types of processing Remix FX offers. It features two Grids, and allows the values of two parameters per Grid to be changed by sweeping the mouse around. The beauty of Remix FX is that more than one effect parameter can be controlled simultaneously. You’ll find Remix FX in a Track’s Specialized effects plug‑in menu. Remix FX brings together many of the real‑time audio processing tools available in Apple’s DAW under a new streamlined single interface. Version 10.5 of Logic Pro X introduced several new features designed with live performance in mind. Pre-coffee experimentation.Remix FX brings together many of the real‑time audio processing tools available in Logic under a new streamlined single interface. Doesn't seem to do well for horizontal faders, but I think its a keeper anyways.ĮDIT: Works fine for horizontal faders if you swipe horizontally. Not sure if anybody else might encounter this, but figured I'd give the heads up.Īctually this could be useful. I don't like that feature, but was able to turn it off and keep the three finger drag behavior. Something I found when I enabled the three finger drag via Accessibility, it that it seems to have also automatically enabled 'tap to click' under the regular Trackpad settings (System Preferences > Trackpad > Point & Click). Anybody else here using this or knew about this trick? Any other hidden features in macOS that you use? Swiping between full-screen apps then becomes a four finger swipe. The upshot is it seems to remove the ability to use the three finger gestures for other things.
#AUDIOSWIFT VST SOFTWARE#
This works great for moving controls in software such as Reason without having to click and apply pressure. You'll find the setting under System Preferences > Accessibility > Mouse & Trackpad > Trackpad options. Special thank to Gaz Williams for pointing this out during today's Sonic TALK
0 kommentar(er)
